- R.I.P. filmmaker Jonathan Demme, director of “Something Wild,” “Stop Making Sense” & other Night Flight faves
- Record Store Day, every day: You got it nicer at Licorice Pizza stores in the 70s and early 80s
- “TV Party”: Glenn O’Brien’s weekly late 70s public-access punk cocktail party TV show
- Zinelandia: Night Flight talks with Joe Biel about “$100 & a T-Shirt,” his documentary about zines
- In 1977, Prince appeared on “The Gong Show,” but no one has ever talked about the episode, until now
- The Wu Tang Collection: The weirdest “Ku Fung Theater”-style mostly-Asian action flicks you’ll ever see
- Bullseye! Arrow Films’ exploitation, Italian horror, spaghetti westerns, drive-in sleaze & more, now on Night Flight Plus!
- “Dynaman”: Night Flight’s popular series featured rubber monsters, good looking Japanese teens, silly jokes, and cool pop music!
- “All Dolled Up”: Night Flight’s exclusive interview with director Bob Gruen about his New York Dolls documentary
- “The Gumby Show”: America’s Favorite Clayboy is back again on Night Flight!
Pat Prescott talks to Stuart Samuels about working as a co-producer on “The Beatles: Eight Days a Week – The Touring Years”
94.7 the Wave’s Morning Show host Pat Prescott — who many of you will remember as the voiceover announcer on our TV show “Night Flight” – recently talked with her former co-worker, Night Flight’s very own Stuart Samuels, who was a co-producer on The Beatles: Eight Days A Week – The Touring Years
The long-awaited documentary film about the Beatles’ early days, circa 1962-1966 — with a 1969 coda atop their Apple Records headquarters rooftop — arrived in theaters on September 15, and featured exclusive footage from the Beatles’ August 1965 Shea Stadium concert that could only be seen in theaters. On September 17, the film was exclusively streamed live on HULU.
Samuels — a writer and producer for “Night Flight” (1981-86), before becoming a documentary filmmaker, directing films like Midnight Movies: From the Margin to the Mainstream documentary (2005), which was based on Stuart’s 1993 book Midnight Movies — was a co-producer on the film, and you can listen to the audio portions of that interview below (in 3 parts):
Here’s what Pat Prescott wrote on 94.7 the Wave’s website about Ron Howard’s new Beatles doc (“Producer Stuart Samuels Talks “The Beatles: Eight Days A Week – The Touring Years”):
The Beatles: Eight Days A Week – The Touring Years is Academy Award-winner Ron Howard’s highly anticipated documentary feature film that tells the story of The Beatles’ phenomenal early career and the incredible, profound impact the band imparted upon the music industry and the world.
The film explores how John Lennon, Paul McCartney, George Harrison and Ringo Starr came together to become this extraordinary phenomenon. You can see it today in theaters but tomorrow you can watch it at home in the comfort of your living room.
Here’s the catch; you’ll have to sign up for Hulu’s new paid service to see it. What a great way to get viewers to sign up.
However you decide to do it, watch the movie this weekend and listen to my conversation with co-producer Stuart Samuels who helped curate footage for the film. It’s getting some Oscar buzz already and a little controversy over footage from the historic Shea Stadium concerts.
Stuart and I go way back. In the eighties we worked together on the award winning late night TV show Night Flight. Stuart is a brilliant writer, producer, academician and documentary filmmaker.
We talked about how he became involved with this film. Stuart was always interested in music in the context of culture and history. When he worked on Night Flight, he brought history, popular culture and music together and with the new Beatles documentary he’s doing more of the same.
Stuarts’s first film was an award winning documentary called Visions of Light. In 2008 he pitched an idea to the Beatles to do a film telling the story of their early years from the fans’ point of view.
Stuart says that during the heyday of the Beatles, it was the first time ever that the world was singing with one voice. It was the beginning of the universal youth culture and the Beatles were the first messengers of that era. Stuart and his team started collecting film from the fans and the members of the group and their families loved it. Once Ron Howard signed on to put it all together, the rest was history.
There is so much archival footage of the Beatles, that it’s special for Stuart and his team to have found so much that is new. He believes in telling the story from the inside and that’s what they’ve done with this film.
Stuart says the Beatles moved from popular culture to political culture, crossing all racial and socioeconomic barriers in the process. He believes that in this documentary, people will be able to see the Beatles and their success story in a whole new light.